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19.1.10
13.12.09
6.10.09
Place is
3.3.09
A Theory about Sports
Hearing today that the SriLankan National Cricket team was attacked by Pakistani terrorists with rifles, grenades and rocket launchers, wounding 7 players, killing the driver and 6 policeman. This was the worst terrorist attack against athletes since Palestinian militants killed 11 Israeli athletes in Munich, 1972. My Southeast Asian friends are obsessed with Cricket. It is a national obsession, surpassing that of Baseball, Football or Hockey here in North America.
Cities and villages will come to a stop during tournaments; over 200 countries and more than 1/3 of the Earth's population will watch. Grandmothers will be able to cite stats, scores and winners from years past. Games will last for days at a time. Friends of mine who follow the sport will rise at 3 in the morning to watch live feed via sattelite or internet. Their passion surpases anything I have seen.
The connection between sports and war is something I have been thinking of for years. When I listen to any sports broadcast or read coverage, I cannot help but notice the language that links the two. Games are called 'battles.' There is 'shooting, spearing, slashing and long bombs.'
Those who argue that children who play sports will "learn" aggresive behavior make me very nervous. Sports is an outlet for energy and aggression. It is a place to contain or focus aggression present in all of us. When my dog lies dormant all day, he is very cranky, not to mention out of shape.
I wonder what it would be like to throw a soccer ball into a Taliban training camp. They would probably shoot it, but you get my point.
I don't think that any sports leagues in Afghanistan are on hold while war tears through its land. Where are the professional sports players in war-torn Africa? This is not a western-centric point of view, but a humanistic one. There has to be something that binds us all. It is not going to be religion or politics, but it could be sports if we tried. There are rules, there is team and fan solidarity and as much aggression as the rules allow. Wave your flag, nibble on your national junk food and beverage, but have fun. I know this is hopeless idealism, but it is only a theory.
1.3.09
Confessions
Discipline
28.6.08
Book Review

Familiar with Van Booy’s lyrical prose, I cannot help but experience the same kind of luxurious language while reading this collection. In the story, The Still But Falling World, set in a small village south of Rome, the lives of the inhabitants achieve a balance between the world of lies and a world of acceptance. Nuggets of truth are found too: “My entire family and her husband and children are living the most beautiful lie.” The ability to do this, Van Booy writes, stems from love. “In Morano, if you’re loved, everything else falls away.” There is a wisdom and vulnerability to such writing. I am reminded of Fernando Pessoa’s recognition that we make use of lies and fiction to promote understanding among ourselves, something that the truth alone could never accomplish. (Paraphrased from The Book of Disquiet, Penguin Classics.)
Reading Van Booy is like loving a melting snowflake in your palm. The transitory nature of life lies beneath the surface of each piece. Its stories are very much like fables you want to carry around with you. In Everything is a Beautiful Trick the story of Magda, an adopted sister from Krakow, whose left arm is missing at her elbow, the reader is taken into the memories of her brother, reminiscing about her death he only imagines. “Memories spill out through a cracked window, melt into the ground between tall grass, and are pushed back up as wildflowers.” This idea that we each have our own versions of the truth makes for a very colorful world, as one experience can lead to a myriad of flowers pushing up later. This collection is full of such gems. I feel a quality of Taoist flow and Buddhist acceptance from this voice, but a voice qualified to move beyond mere acquiescence. Simon VanBooy writes like a master, there are not many others creating works like these today whereby reality is redefined to include imagination. It is the eye/ear/heart of a poet at work here.
There are 18 stories included in this collection, several of which were previously published by Bookman Press in 2002 in a limited run called Love and the Five Senses. Every piece is distinct from the next, but present is a voice the reader will not forget. There is a thread connecting this author to the above mentioned Passoa, and when I read Some Bloom in Darkness, I return to Colette and am reminded “…we can catch and hold—with words…” as VanBooy does so brilliantly for us. In The World Laughs in Flowers, and The Reappearance of Strawberries, both two very beautiful titles so well selected, the theme of memory underlies. “My memories are arranged like puddles—they are littered throughout the present moment. It seems arbitrary, that which the mind remembers, but I know it is not.” This line appears early in the first story, long before the character arrives in Greece to hopefully re-ignite a love before it is too late. In The Reappearance…” a story full of longing and human endurance, we read “without memory…man would be invincible.” This polarization of elation and suffering is what makes the stories believable; it is what makes this collection profound. There is nothing formulaic or too full of itself. It is balanced and quiet sometimes, and at others, it can be over the top pure poetry, lyrical and enlightened.
27.6.08
The Laziest Gal in the Northern Hemisphere
I have to rest.
7.6.08
31.5.08
Book Review

The Living Room of the Dead
Bleak House Books, 2007
By Eric Stone
This is noir at its finest. Uncensored, raw and unpredictable. The fact that author, Eric Stone has lived and worked throughout Asia is apparent with lines like, “It’s drizzling the hot sour soup that squeezes out of the filthy tureen that a lot of the year passes for the sky over Hong Kong.” All the research or anecdotal information of place will never take the reader ‘there’ as lines like that do. I am really glad to read that this is the first Ray Sharp novel as I want to get inside this character’s head some more. An important note however; The Living Room of the Dead is based on real events. Once you know that, the scenes that make you squirm will make you squirm a lot longer. Not to say that he has not created a great book of fiction, but given that the story is based on the unforgiving sex slave trade in numerous parts of Russia and Asia, makes this an important piece. If you enjoyed reading Mo Hayder’s The Devil of Nanking, then you might know the kind of power a work of fiction can pack. Stone’s own words speak how this book made me feel. “It’s beautiful and I’m not afraid. The snapping of electricity above me, in the nearing distance sizzling out of the clouds, hissing in the air that pounds at me from all sides, everything’s juiced….It’s power that doesn’t take sides, that doesn’t give a shit about me…” Stone may be talking about the weather here but it is one of the pivotal metaphors for the subject matter of this outstanding novel. Read it, you will not forget it and like myself, it will leave you wanting more.
30.3.08
22.3.08

Dessie awoke with Horace’s arm across her throat. He was fully clad on his belly next to her. He was on top of the comforter, she beneath it. She remembered waiting up for him the previous evening, then taking a long hot bath, slathering her body with lotion and calling it a night. She could smell the stale smoke from his clothes, his hair and skin. She threw his arm off her as if it were an infested tree branch and got out of bed all in one motion. Rising up so quickly made her both dizzy and energized.
She threw on a pair of Levis and a t-shirt, slid into her worn flip flops, drew back the curtains to see if the truck was in the driveway. It was, sort of – it was partly on the road, the lawn and the drive. The passenger door was open as well. It was that last detail which pumped Dessie full of anger.
“Horace…” She stretched his name knowing that he was oblivious to everything right now.
“You son-of-a-bitch.” She muttered like a mantra as she walked over the dewy lawn. When she got to the truck she slipped on the wet grass, her right leg flying out with her landing on her bottom. Her hand was soon soaked and when she wiped her palm on her knee, she saw the blood. Then she saw where it came from. Under the truck was the dog from across the street, a German Sheppard. It was not moving, at least as far as Dessie could tell. She stared at its ribcage watching closely for any rise and fall. She herself was not breathing as she waited; then she saw what she hoped she would not, as the poor animal had lost a lot of blood and one of its legs was twisted in a painful angle. The dog released a raspy push of air, like it had been holding its breath too. This startled Dessie to her feet.
She did not want to deal with this crisis. Not today. She looked around for any sign of life on the quiet street, but it was only six thirty in the morning. She wiped her bloody hand on the lawn and when she bent down the dog let out a whimper as if it knew someone was there. Dessie knelt down and instinctively spoke random comforting words. She reached out to touch the dog’s back. This caused it to raise its head and turn toward her. Their eyes met. She found hers tearing up. Her fingers were gently moving through the fur onto the warm skin of the animal. The heat from the dog’s spine made her feel the chill in the air. She stood and rummaged behind the seat of the truck, finding an old blanket from Mexico. She shook the dust, sand and dried grass out of it, then gently placed it over the animal. For some reason the dog reacted as though the weight of the blanket were suddenly too much and it began to convulse. Oh shit. Dessie thought as she ran back to the house.
The front screen door slammed behind her with one solid thud. She shook Horace with both hands. The rocking woke him up.
“Wipe your mouth asshole. You’re drooling on my sheets.”
“You woke me up for that?” He did as she asked him and was about to lie back down to sleep.
“Get up right now and come with me.” Dessie’s voice was more authoritarian than Horace’s first drill sergeant during his two month stint as a marine before they sent him packing for one indiscretion too many.
By the time Horace got his boots back on, hopping from one foot to another, Dessie had dismantled the top shelf of the clothes closet looking for the shoe box containing the gun.
“What the..?” Horace was now fully awake at the sight of the gun. He whispered this believing there was an intruder in the house.
“We gotta hurry before everyone is awake,” was all Dessie said putting three bullets into the gun’s chamber while she walked toward the front door. Horace scampered behind her, confused and now worried about the loaded gun. He knew from the couple of times he had attempted to teach Dessie how to shoot that she was not the steadiest shooter. She always missed the target and usually ended up on her seat from the kickback.
“Gimme the gun, Des,” he whispered, grabbing the air behind her, trying to reach around to get the gun. Dessie suddenly stopped. Horace stopped an inch from Dessie and stood at full attention. He felt as though his ears were trying to detect the sound of the threat. His nose began to run as it always did when he was nervous. Before he could raise his hand to wipe it, Dessie turned around to face him looking more threatening than he could ever recall with that loaded gun in her hand.
“Look how you parked the truck.”
“Huh?” How I parked…the…?” Dessie moved aside so he could look out the front door.
“Yeah, so? It’s all in one piece.” Horace shifted from ready to defend the house from an invader, to defending his driving skills.
“Any reason you came in at such an original angle?” Dessie was tapping her chin with the barrel of the gun. She noticed Horace’s eyebrows raise with concern and she could hear him sniffle, not knowing what she was getting at.
“Think Horace. Think back, afterall it was only three hours ago.”
“Aww c’mon Dez…don’t shoot the tires again, I gotta get to work later.”
Dessie had circled around the truck to the other side leaving Horace rubbing the sleep from his eyes. He scampered after her. By the time he reached her backside, he heard a muffled shot from the handgun. Dessie had shot through the blanket and right into the dog’s forehead. Dessie stood face to face with Horace, shoved the gun into his belly and before he could question anything, she growled out a few words.
“Get that sorry ass truck of yours off my lawn and dispose of him with some kind of dignity.”
She returned to the house leaving Horace dumfounded by his quick awakening and sudden shock of events. All he could hear was the slapping of her flip flops, then the slamming screen door. Through the open door of the truck, he could see the keys in the ignition. He could not recall anything about the night before, the dog must have been asleep on the lawn as he drove in. He looked down at the bloody mess, lighting a Camel from his breast pocket of his shirt. As he exhaled a fog patch of smoke, he was stirred into quick action by the sound of a neighbor’s garage door opening. With cigarette dangling from his mouth, he squatted then lifted the limp dog up in two quick movements. He heaved the large dog over the edge of his truck bed, then threw the bloodied blanket over the dog’s blown apart head. He had a tarp covering his tools which he then hid the rest of the body with. He looked down at the lawn and then at the sky. Although it was overcast, it did not look like it would rain. He went up to Dessie’s house, grabbed a garden hose then rinsed the lawn until pink flowed down the street and into the sewer.
31.1.08
30.1.08
Her smile is real. She is a friend of Kenji's and like him, cannot drink too much.
29.1.08


Recommendations
- GO to: Paris. New York. Montreal. London. Tokyo. Amsterdam. Berlin. A blue collar bar. A cafe. Martini Bar. A Rainforest. A Desert. The Prairies. The Metro. A neglected cemetary. A casino. A used bookstore. A whaling town. Art Galleries. Readings. Walk for the sake of it. Go with a dog.
- Try anything once but don't jump on a bandwagon. Smoke if you want to. Exercise. Sleep with your window slightly opened. Mingle with strangers, spend as much times as possible with dogs. Be tender and tread lightly. Look around as if it is your first day on earth. Or your last.
- Read Moby Dick to learn to look below the surface. Read Ralph Ellison's The Invisible Man because once you find out who you are, you will be free. Read Nabokov's Lolita to feel uncomfortable. Read Kafka to experience, Chekov to witness(& for a lesson in short story writing) Cormac McCarthy and Joyce to ditch the annoying quotations, Pico Iyer to taste places. Try Chuck Palhaniuk to laugh while squirming, Aimee Bender to dance by her notes of imagination, pick up poetry by Atwood, Billy Collins, Anne Sexton, ee cummings, pablo neruda. Pick up a poet each day, they need a ride in your mind.
- Films: Sprited Away by Hayayo Miyuzaki (listed first for a reason) Double Indemnity 1948, All About Eve, The Dreamers, Lawrence of Arabia, Gladiator, Zoolander (the same night as you watch the previous) The Saddest Music in the World by Guy Maddin, film genius of our time, Bladerunner, Brazil and also Tideland by Terry Gilliam(the latter, shot in Saskatchewan where land was an ocean) any water film with Esther Williams to make you feel better. That goes for ALL Doris Day and Rock Hudson films, then Calamity Jane for the sapphic subtext, anything with Greta Garbo (watching it in perspective of how closeted lesbians were then) Robert Mitchim in a white jacket or pants, smoking. Mildred Pierce, The Ghost and Mrs. Muir for nostalgia sake.
- Listen to Nina Simone, Billy Holiday, Morrissey, Daniel Belanger, Miles Davis, Parov Stelar, Hawksley Workman, Andrew Bird, Bebel Gilberto, Cocteau Twins (yes, even now), Holly Cole, Charlie Parker, Thelonius Monk, Thievery Corporation, Patricia Barber, Lucinda Williams, Sly & the Family Stone, Ella Fitzgerald and anything by Cole Porter, the Operas Lakme, Norma, the song Summertime sung by anyone, played on repeat until your cells are hot.
- Read Haruki Murakami, esp. Wind-up Bird Chronicles and Harboiled Wonderland and the End of the World
- View the artist Takashi Murakami because he will blow your mind and start your engines. He is electric.
- Read Patricia Highsmith, esp. The Two Faces of Forgery, Edith, all of her short stories and of couse all of the Ripley books.
- View the artist Fernando Botero because his portraits will make you feel thin and his body of work will make you feel vast.
- Read all the noir fiction you can beginning with Raymond Chandler, Jim Thompson, then discover Michael Dibdin and Sebastian Japrisot
- Drink Espresso as often as possible but make it correctly. Drink red wines from Argentina, Chile, New Zealand, France, Whites from France, Australia or New Zealand and yes, from Canada. Drink as much Belgian Beer as possible. MGD is good too.