30.4.10

Poem 61

The woman sits at a café
Sun shadows her past 
even in this chair.
For a week of escape
she prefers clouds
crying skies
names of streets with
no connections
another language .
In her hands are lines &
in her notebook
blank pages.

The woman sits in a café
Aware of planet’s rotation
Cycles of change
Lunar   linear   lost
In the constant spin
She twirls her ring   
Past centre of gravity
She has escaped
Tumbling head over…
Heal with time
Mind over matter

29.4.10

Poem 60

Where is the light & what is its source?
Should we move into darker times & pray
For illumination or do we light a candle
For today—dim but warm
Circles of light  shadows dancing 
I want to cover the city with images
Spirits and words
When our hollow structures are visited 
Long after we are gone
We shall be a people who believed in something
I want to cover my eyes sometimes too
It’s what we do with our hands 
When they are empty
That is the matter before us
What is the matter with us?
Fists clenched in our pockets.

28.4.10

Poem 59

I read somewhere that the Grand Canyon would be
a splendid site for waste disposal   Could keep us 
going for at least 15 years.
Then I began to think about outer space & how
there is light years of space.
Problem is gravity & the fear that it would return
to us when least expected, like at a garden wedding
Maybe just a tattered bag or two, but the mess.
This physical waste - all of our things are headed
For the trash eventually.  Even the trash cans have
Limited shelf life.  I am burning envelopes in the back
Yard creating smoke but am warmed by it.
The crackling of a few pine twigs 
then the nothingness in the pit, the ash
the rocks all evidence of what was 
no longer. 

27.4.10

Poem 58

I read that the leaking seeping oil from
The latest spill shall be set aflame sometime today
So the poor ocean dwellers will be roasted alive
Like there is no tomorrow & you should wonder
About that day coming if this is what we have to
Do to make it happen
Our never-ending hunger for fossil fuel
& the blinders we wear to get it.
Taking the ancient is misleading us
all without complaint we ride this black wave
like surfers from Hell
It cannot be ignored that this most recent mayhem
was triggered by a tanker of coal slamming into
The feeding oil well as it sucked & sucked & sucked. 

26.4.10

Poem 57

Wish I could sleep like a dog
Or left alone to do so
As they like to say
For a good nights sleep you need to lick
Your chops good and loud
Then exhale as if you were seeing a respirologist
Then toes need stretching
Followed by legs extended to their fullest
Finally sleep.
It seems so simple watching my dog
His ears twitch if I flip my page too loud
Or click my notebook shut too suddenly
But he is out.
It is midnight or beyond & illogical to him
We should have been asleep hours ago 
Both knowing how slow I am to start another.

25.4.10

Poem 56

For my friend who weeps symphonic
For the beauty that she hears
She will make tea in her best cup &
Chipped saucer then seated upon sofa
will still herself until the first few notes
Run down her windows like rain
Schutz or Mendelssohn trigger deep surges while 
A largo from Dvorak opens a sea of supraliminal
Insights.  This is a state sought by holy men
Trenchant & lost at the same time
Gripped so you cannot question the why of it but
Where inside & then to whom?
Then to whom do you return
Like a lost note from the New World Orchestra?

24.4.10

Poem 55

One thing is certain
I was standing on the edge of something
A mountain climbing decision
Fire or water   earth or sky
I had a rope but what I needed
Was not at hand  I Ching
Dice  Dial-a-prayer
Ting went the bottom of the cup
The sound of my coin as he howled out
Baby I was born to run… 
He’s on that corner every day Irony
Taste in my mouth 
I’ve bitten my lip 
As I often do  now I’m bound to repeat
This self-mutilation (or the slow beginning of it)
Throughout the day
What was the insight pressing my teeth so tight
Upon my tongue?   I was certain the moment of clarity
Would be less painful  but as the tug between
Knowledge & Language 
Contracts & advances
I continue along the street with a bad song knitting & hooking
Itself inside my well insulated head.

23.4.10

Poem 54

We stand at the corner of College & Bathurst
Facing West into the clear blue into the prevailing
Move with a small group of women in tights & leather   
Boots, one of them still smokes & I look for the cafe
With the best caffeine around tasting it now
It’s the detail of a day, the smallest thing you carry home
Like those sunflowers in the blue pots
or the creama shaped like a heart in the cup
You sweetened & sipped your lips so beautiful
Broke into a smile when our friend walked in & wished 
You the best for this day, your day & I opened a newspaper
Out of habit & then folded it shut, so many words
In just one day, but they can wait for later 
We stroll together like a new map has unfolded & we
Say this is the best way to live,
Not knowing where & not knowing when.

22.4.10

Poem 53

Living like a rat gives you much hope
Feeding off garbage because of your needs
your hole is filled & thst pile is never-ending 
You hope the next meal will be of
Considerably better quality & fresher too.
Seeking out a dry nest for a long rest
No easy task in this rain
Down this drain, buy hey
Use your brain you found your way 
Here in the first place & when it’s time
To push off there’s no exit door telling
You where to.

21.4.10

Poem 52

Electric toasters 
Like to follow me around
Leaving trails of crumbs.
They drag their cords like lacklustre tails.
They will “ding” to get my attention & begin to 
Blow smoke if I brush them off.
I read The Brave Little Toaster while sitting
Before an electric heater but learned no new insights
The heater hissed & sparked
Some advice, then ran us a bath
But pulled out at the last minute
Just as one of the toasters hopped in.

20.4.10

Poem 51

When they talk their voices
Sound like those attending
To flights about to embark
Rise with all its bulk
Its faulty hull high above the 
Chaos below.

We find comfort in the newscaster’s voice
Steady as she breaks it to all of us
that planes are trying to stay afloat &
Out of plumes of volcanic ash a
cumulus thunderhead from angry Vikings
That will freeze jet engines 
From fire to ice in a split second
Iceland has frozen Europe’s arteries &
Will continue to push forth around the Earth’s
Circumference with its Dragon’s mouth wide open.

19.4.10

Poem 50

Found in a ditch are last year’s remains  
dried leaves   an old prescription bottle 
cracked & empty, a paper cup  & on a
crumpled sheet of faded blue lines
a note from one heart 
to another   the ink has run & 
before I can decipher the faded emotions
April snatches it from my hands & flies 
across a field.
That lost message almost imprinted 
An image in a cave before the last match flickers out
I spend the rest of the walk wondering
If the note read hello my love is a flower or
Farewell as Fall is calling me away.

18.4.10

Poem 49

I can cover the neighbourhood in a day
Doing the crawl including parkades
where I often find half finished drinks &
whole piles of cigarette butts   I lunch at
restaurant bins & consume pages at a time in
the library where its park lets me sun while
digesting the latest trends in architecture or 
consider theories of the origins of the universe with
no buildings      I know where to defecate and how
to avoid traps  I know time by the rhythm of its people
There are twenty short days and two long ones
On the long ones  centre neighbourhood is mine
Spare change is heavier then & the
Slow hands can’t reach that deep.

17.4.10

Poem 48

To chew is to think about deeply to
Muse as any poet would ponder
Whole heartedly the heavy inside
Ruminate the unfinished   keep
In order the cards that hold the recipes
A lifeline  a life time  of words
spoken around tables meals 
made from words  measured
and blended  then left alone
to rise  pounded back down
placed carefully into rectangles 
and baked until the whole neighbourhood
Knows this story in one form or another.

16.4.10

Poem 47

I am eating this cake the way I did as a child
Layer by layer    the crushed prunes between crumbly 
cake  a recipe my mother had from hers
The black & the white of it
Longing & regret  seven layers thick
An Easter tradition  the same for generations.
I have long ago put aside the images of thatched roofs
Swept wood floors and purple flowers in mason jars
But these crumbs I sweep from the table push them back
Into my quiet mind  like an old photo ragged from handling.
If I turn now I would meet my great grandfather 
for the first time
Moustached and tired but ready for a good long story
His wife laughing tearful by our plentitude
her hair falling from tight braid    I stare too long
at her square fingers upon smooth table & they both disappear.

In my mother’s pantry was a jar of jam made 
by her late mother
that she refused to eat   It was the colour of garnets 
& Sweet I am sure, but too late for tasting & 
Too hard to open. 

15.4.10

Poem 46

Every day in every large urban centre
on the globe  hundreds of thousands of birds
crash into glass   attracted by the light
Surprised by the height   draped by fog or smog
A man in Toronto collects these fallen angels
Smooths bloodied feathers then disposes the hollow boned
victims of urban achievement   Bags  of them every morning
before gulls or commuters stare aghast for a split second
Before they enter the towers to perch themselves at desks
or cubicles with vistas they never notice.

14.4.10

Poem 45

It has gotten so that every time I pick up
A book, cup or pair of shoes
I expect the scattering swarm of small insects.
Too much time in the garden I know
Overturning rocks then jumping back at first
In horror, then stepping closer in a morbid curiosity
Not to spray these futuristic looking ancient creatures
But to check my gloves my shoes my hair
It is enough to frighten the weaker bipeds
But not me at least not now 
While I dig and push & pull
Like the relentless invader I have become.

13.4.10

Poem 44

Because we've arrived at poem forty-four
Allow me to take you through death's dark door
From belief Cantonese, well it’s pure superstition
an unfortunate link & a plea nay admission
That onomatopoeia has dictated decision
from Address to Birthdate
it’s time to obliterate
This crazy conception
a way of deception
That 2 times 2 which is 4 to most
but over on that Far East Coast
They cringe and deny
That what to you & I
Is a digit, a symbol, plainly just a number
Not the last thing you’ll see b4 your final slumber.
Because the Cantonese word for the number 4 sounds like the word
for death it is avoided whenever possible, addresses that end in 4 might
be changed to 4A birthdates may be changed & check the 4th, 14th etc floors
of buildings for Cantonese.   There will no doubt be revisions to this piece.

12.4.10

Poem 43

There was an edge to this dinner
The dinner in my dream
The timing was crucial & we were late
Someone was with me in the car 
Careening into  Car Park Sub Level 9

There were no cars but a woman was down there 
Mopping up water that oozed from the walls
I worried the car might rust over dinner
Down there in that damp enclave
Undoubtedly Freudian at this point.

Like some meta-fiction that dreams are
The missed engagement 
The chase of time in the form of
a subterranean journey one might be hard-pressed
not to reference Orpheus 
But I will not fall for that.

11.4.10

Poem 42

It is not with Dickinsons’ sense of dread I greet you
But with the luck bestowed upon my dreary head
(So say those from Quebec anyway)
When I spotted the first Robin on our lawn last week
Now almost daily this
Turdus migratorius, large Thrush, wanderer
Unaware of Latin leanings
Perches on our sill to look at us.
Cautious & curious outside & in
Even dog has noticed your red breast 
Pressed against  window you stand taller than I knew
You were.  At least 12 inches high, they say
Your average life is two years but one was known to have lived 14.
What was his secret I wonder?
Curiosity? Not likely.
Socialized & outgoing after all 
It’s years were tallied 
Every morning now I wait inside
For this plumed voyeur  
Warmed beneath the same bright star
Carried by the same swift breeze.

10.4.10

Poem 41

He says hell
is other people
She says life
is other people
It does not follow
that life is hell   rather
that judgement can be impaired by perspective.
She should not build her outlook upon such
shipwrecked emotions.
She should have left him years ago but for the
Conversation on otherwise quiet Sundays
Spent reading Le Nationel sipping at a cafe
Cigarettes shrinking while the Spanish Civil War
Tears them apart from time to time
Jean Paul sits in contemplative silence while
Simone smokes unfiltered American cigarettes &
contemplates a character stronger than herself
who could say to Jean - you simply must make up your mind or
Jean  go to Hell
but this time
without indifference.

9.4.10

Poem 40

From a country with a flag yellow & blue
like its fields of grain and large prairie sky
I should not wonder why there was so little spoken at home
especially in my grandparents' who fled
who denied any stories too afraid to speak the words
when I was a child & hungry to know.

Hungry like I would never know.
The people of Ukraine
under Stalin were crushed
hushed starved to death
In 1932 no one would resist
there was no strength when the grain seeds
for next years crops became something to fight over.

Fear of our story made me ashamed
creating the worst imaginings
But not the horrors of the unimaginable.
Planned & purposeful
a quarter of the population starved
The rest later told this never happened the way they saw it
told it was a famine
not a genocide.
it is estimated that between 8-11 million people died between 1932-1933

8.4.10

Poem 39

I am catching the dispersing molecules
of the dead tonight
All poets are opportunists at heart
you'd do the same if not for sleep
The sparks that flicker like dust from the moon
swirl then land upon this pillowed head
force me to salvage what I can in
ragged notebook & tentative pen
But nothing lands in order
as fragmented as a dream
No logic  no message
no rhythmic beat

7.4.10

Poem 38

Once it was suggested to me that I think of libraries
as stores where I need never buy anything -- I began
to frequent them religiously, spending whole Sundays
just browsing  grabbing armfuls at a time charging
them to my limitless card   Today so carried away with
this new outlook the keeper of books asked if I needed any help
I asked if she had Woolf in any other colour and will
I be able to exchange my Dickens for somthing lighter?

Anything is possible here
note the quiet reserve of others
under the same spell
a magnetic pull from shelves
a hum from leather-bound volumes
a crackle from obscure texts
Like the scene from Wings of Desire where
behind the shoulders of each quiet reader stands an Angel
The librarian was surely earning her wings
with each suggestion and every time she gently smoothed
dog-eared corners before putting the book to rest.

Poem 37

rodentia asks me for change & I tell him
every cell in your body is breaking down
not to mention that skin is sloughing
especially with that wool scarf &
hair follicles are closing  as bankrupt
as your favorite deli
did he want me to mention the latest terror plot?
the ozone or big medicine?
he tells me to eff someone  maybe even myself but
I'm not going for idle threats from an idle soul  so I say
Look  if money is what you are after    then why not
ask for it -- maybe that's been your whole problem
maybe that's how you ended up this way
I'm not in a good mood today & how was he to know
I mean it's random selection on his part
so I smile half hearted & cold too
notice his red cracked skin
his brown hooked nails  & say
here take this and go in there and buy yourself some soup
but he's not going for plastic offers from plastic people
turning on his lack of heels he
spits & walks away  says
you ain't my advisor.

6.4.10

Poem 36

To exist in a state of grace  while
inside contemptuous coals are stoked with every
thought--more gratifying than you'd think.

Not to say that feeding the poor &
housing the lame won't leave your cupboards
empty & rooms overflowing
but that is the essence of such notions.

It's the widest smile bearing most teeth
that make me look away.

5.4.10

Poem 35

There's nothing at my fingertips right now
I blame my brain, no my heart
when really it is neither
It's the day I've had carving into the ground
until these empty fingers ached
from stone & thick clay
clearing a path
shocking each worm
displacing or disecting
a violent act in the name or order.

4.4.10

Poem 34

I come from a city where two rivers flow
they meet in the centre
one going one direction
the other, another
and like two rivers with their
own agendas
their meeting is brief   and
they're gone   like any two
rivers in a hurry to get where
they are needed.

In that city
people sleepwalk
they freeze in the winter
then complain about summer's heat.
Not that they are not content
but very involved in the weather.
I know about those who sleepwalk because it's haunted
son Guy Maddin has
captured this fuzzy phenomenon.
When the sleeper arrives at your door
you must let them in.
They may have lived in that house before
or they may know you.
They may have the keys with them
but in sleep they will fumble and
it is the civic duty of those who answer
their doors not to behave like a cold
rushing river.

3.4.10

Poem 33

Loquacious is the mosquito in your bedroom
the buzz in your head when you don't know the answer
it's the effect of too much day & not enough night
It's the word you want if you are at the bottom of a well
It's the word you know you can count on
Maybe no one uses it anymore but it's like the best colloquial
oh, I meant collegial
it's the best collegial accompaniment you can find.

2.4.10

Poem 32

Lugubrious is a slug who is happy in the slimy water forgotten since last spring
it is sure to make itself known, to catch your eye to show that it's there
alone and unfed.  It will surface then sink to the bottom as if that were it.
But it returns to see your concern to listen to your plans of rescue
Take my advice, leave that word alone and all that it holds dear
It has a way of moving in and never leaving   of wrapping itself
around your good intentions and squeezing and squeezing.

1.4.10

Poem 31

The inconvenience of language
an oil slick
a bed of wet clay
That's not what I wanted to say.
Today the sky was blue
except that may not be true
I did not look up
was busy digging a hole
but the heat on my back &
the blackness of the hole
all add up to clear skies above.
I could smell the damp
with each cut
slicing  roots
listening to songbirds almost
understanding them.

Recommendations

  • GO to: Paris. New York. Montreal. London. Tokyo. Amsterdam. Berlin. A blue collar bar. A cafe. Martini Bar. A Rainforest. A Desert. The Prairies. The Metro. A neglected cemetary. A casino. A used bookstore. A whaling town. Art Galleries. Readings. Walk for the sake of it. Go with a dog.
  • Try anything once but don't jump on a bandwagon. Smoke if you want to. Exercise. Sleep with your window slightly opened. Mingle with strangers, spend as much times as possible with dogs. Be tender and tread lightly. Look around as if it is your first day on earth. Or your last.
  • Read Moby Dick to learn to look below the surface. Read Ralph Ellison's The Invisible Man because once you find out who you are, you will be free. Read Nabokov's Lolita to feel uncomfortable. Read Kafka to experience, Chekov to witness(& for a lesson in short story writing) Cormac McCarthy and Joyce to ditch the annoying quotations, Pico Iyer to taste places. Try Chuck Palhaniuk to laugh while squirming, Aimee Bender to dance by her notes of imagination, pick up poetry by Atwood, Billy Collins, Anne Sexton, ee cummings, pablo neruda. Pick up a poet each day, they need a ride in your mind.
  • Films: Sprited Away by Hayayo Miyuzaki (listed first for a reason) Double Indemnity 1948, All About Eve, The Dreamers, Lawrence of Arabia, Gladiator, Zoolander (the same night as you watch the previous) The Saddest Music in the World by Guy Maddin, film genius of our time, Bladerunner, Brazil and also Tideland by Terry Gilliam(the latter, shot in Saskatchewan where land was an ocean) any water film with Esther Williams to make you feel better. That goes for ALL Doris Day and Rock Hudson films, then Calamity Jane for the sapphic subtext, anything with Greta Garbo (watching it in perspective of how closeted lesbians were then) Robert Mitchim in a white jacket or pants, smoking. Mildred Pierce, The Ghost and Mrs. Muir for nostalgia sake.
  • Listen to Nina Simone, Billy Holiday, Morrissey, Daniel Belanger, Miles Davis, Parov Stelar, Hawksley Workman, Andrew Bird, Bebel Gilberto, Cocteau Twins (yes, even now), Holly Cole, Charlie Parker, Thelonius Monk, Thievery Corporation, Patricia Barber, Lucinda Williams, Sly & the Family Stone, Ella Fitzgerald and anything by Cole Porter, the Operas Lakme, Norma, the song Summertime sung by anyone, played on repeat until your cells are hot.
  • Read Haruki Murakami, esp. Wind-up Bird Chronicles and Harboiled Wonderland and the End of the World
  • View the artist Takashi Murakami because he will blow your mind and start your engines. He is electric.
  • Read Patricia Highsmith, esp. The Two Faces of Forgery, Edith, all of her short stories and of couse all of the Ripley books.
  • View the artist Fernando Botero because his portraits will make you feel thin and his body of work will make you feel vast.
  • Read all the noir fiction you can beginning with Raymond Chandler, Jim Thompson, then discover Michael Dibdin and Sebastian Japrisot
  • Drink Espresso as often as possible but make it correctly. Drink red wines from Argentina, Chile, New Zealand, France, Whites from France, Australia or New Zealand and yes, from Canada. Drink as much Belgian Beer as possible. MGD is good too.